[Electric Planet Remix]
This remix places Ben E. King’s timeless “Stand by Me” in a completely different setting. I used the famous uptempo energy of “Planet Rock” as the rhythmic foundation, brought in “Electric Kingdom” for the chorus, and layered the classic vocal over the top.
It is a meeting point between old-school electro, dance-floor momentum, and one of my favorite songs of all time. Familiar, but reframed with enough energy to make it feel new again.
[Dime Drop Remix]
This is version two of my take on Underworld’s “Born Slippy,” remastered in Logic Pro using stem separation to remove the original drum tracks and make room for a new foundation. It is one of my all-time favorite songs, and I was excited to finally put my own spin on it.
You may know the original from Trainspotting, but this version leans into a dreamy, trance-like atmosphere while bringing in fast, 140 BPM cuts. Those cuts were no easy task, but they give the remix a more personal, performance-driven edge. If possible, listen on a system with a proper subwoofer, the low end is part of the experience.
[Alive And Breathing Remix]
Version two of Dead and Gone was remastered in Logic Pro using stem separation to clear out the original drums and rebuild the track with a new pulse. T.I. and Justin Timberlake get the full A-bomb treatment here: more movement, more impact, and a bolder rhythmic foundation.
I may be biased, but I honestly feel this version gives the song a new level of life. Play it next to the original and the contrast is hard to miss, the remix is designed to feel brighter, heavier, and more alive.
[Platinum Dubstep Remix]
When John Legend’s “All Of Me” came out, I immediately heard the potential for a dubstep remix. Turning that idea into a finished track took longer than any of my other remixes up to that point, but it was worth the work.
The song’s emotional vocal is still at the center, but it is surrounded by a much bigger electronic landscape: melodic buildup, deep bass, and drops that give the original a completely different kind of drama. It was later removed from SoundCloud and Facebook over copyright claims, but it remains one of my favorite tracks I have made.
[Swallow Remix]
This is my remix of Nine Inch Nails’ “The Hand That Feeds.” The band held a remix competition years ago, and I missed the deadline while traveling, but I still like to think this one would have been a serious contender.The track brings a darker electronic edge to the original while retaining its driving attitude. You may also recognize the long synth pad from Shame Of Life. I loved that sound enough to bring it back for another ride.
[Am I Concerned Remix]
This track started with Snap!’s obscure B-side “I’m Gonna Get to You (To Whom It May Concern),” a love song I had wanted to work with for a very long time. Its connection to classic Kraftwerk and Cash Money loops made it especially tempting to reinterpret.
The result is a nostalgic, slightly worn-in track with a lot of character. And yes: the vinyl pops on the vocal are real. They are not an effect, they are part of the texture and part of the story.